{"id":16307,"date":"2026-05-13T14:24:45","date_gmt":"2026-05-13T14:24:45","guid":{"rendered":"https:\/\/the-dailytourist.com\/?p=16307"},"modified":"2026-05-13T15:12:15","modified_gmt":"2026-05-13T15:12:15","slug":"god-floats-in-the-ganges","status":"publish","type":"post","link":"https:\/\/the-dailytourist.com\/?p=16307","title":{"rendered":"God floats in the Ganges"},"content":{"rendered":"<p><span dir=\"auto\">\u2013 Md. Kamal Uddin: A unique stage poem by Pratibhas Natyadal on the love of river-dwelling people, religious differences, the cries of life in prison and the eternal truth of humanity. On the stage of Chittagong District Shilpakala Academy on Tuesday evening, May 12, 2026, Pratibhas Natyadal&#8217;s seventeenth production &#8220;Ishwar Gange Bhase&#8221; was not just a theatrical performance &#8211; it was a living artistic commentary on the river, people, love, religion, superstition and the deepest feelings of humanity. This play, staged for the third time, gave rise to such an emotion in the hearts of the audience that it remained in the air of the hall for a long time even after the play ended. Before the play began, the entire auditorium fell silent in a mournful atmosphere. A minute&#8217;s silence was observed on the death of Ataur Rahman, a renowned actor, playwright, Swadhinata Medal-winning cultural figure and stage conductor. The audience, artists and theater workers present paid their respects by standing. Then, the Pratibhas Theatre Group dedicated their production, &#8220;Ishwar Gange Bhase&#8221;, to this late talented artist. It was as if the artistic stage once again proclaimed that the artist dies, but art does not die.<\/span><br \/>\n<span dir=\"auto\">I myself enjoyed the play that evening sitting in the hall of the Shilpakala Academy. I have seen many plays, written about countless stage plays, but \u201cIshwar Gange Bhase\u201d gave me a different feeling. Because this play is not just a performance, it is a reflection of the deep reality of human life. The tears of the river people, love, pride, poverty and the cruelty of society\u2014everything seemed to come alive on stage. The main theme of the play is the struggle for life of the fishing community. How much uncertainty the life of the people on the river and the seashore is, how much they have to constantly fight against storms and rain to survive\u2014this play comes out in extraordinary reality. Boats are their home on the river, fishing is their livelihood, but even in that life there is no security. The burden of moneylenders&#8217; debts, the pressure of poverty and the oppression of the influential people of society constantly make their lives cramped. The central character of the play, Bhasan, is like a child of the river. One day he is found floating in the river. No one knows his birth identity, who his parents are, what religion he was born into. A Muslim fisherman&#8217;s family shelters him, raises him, and raises him. But the question of his identity never goes away. Is he a Muslim? Hindu? Christian? Or just a human? This question goes deep into the drama and becomes the biggest question of humanity. Bhasan grows up and joins the profession of a fisherman. Amena comes into his life\u2014a simple, straightforward, pure love like a river. There was poverty in their family, but there was no shortage of love. Their life was moving forward with the waves of the river, fishing, stormy nights, and small dreams of love. But just as the river does not provide permanent shelter to anyone, Bhasan is lost in the turbulent current on a terrible stormy night. Everyone assumes that Bhasan is no longer alive. But in a strange twist of fate, he returns after many days. However, this time a new chapter in his life\u2014another fisherman&#8217;s daughter named Shikha becomes a part of his life. Bhasan builds a new family with two women of two religions. There was love, there was humanity, but in the eyes of society, that becomes a crime. Due to religious prejudices, social narrow-mindedness, and pressure from the so-called protectors of religion, Bhasan was once expelled from the area. People forgot his human identity. They only kept searching for what religion he belonged to. Yet for Bhasan, the greatest truth was to live as a human being. In the end, the river became his only refuge. He lived in a boat. The boat floating on the river became his house of God. And that is where the drama reaches its most heartbreaking conclusion. Bhasan dies. But after death, another question arises\u2014how will he be cremated? If he is a Muslim, he is buried, if he is a Hindu, he is cremated, if he is a Christian, there are different rules\u2014but no one knows his true identity. Just as society could not accept him while he was alive, it cannot give him any identity even after death. In the end, his body was floated in a boat on the river. And then the voices started to ring all around\u2014\u201cGod floats in the Ganges\u2026\u201d<\/span><br \/>\n<span dir=\"auto\">The philosophy of the entire play is hidden in this one sentence. Here the playwright wants to say\u2014God is not limited to temples, mosques, churches, or pagodas; God floats in human love, humanity, river water, suffering, and truth. When division, violence, and hatred are increasing in the name of religion in the present world, the play \u201cGod Floats in the Ganges\u201d reminds us\u2014the greatest identity is to be human. Religion is for people, not people for religion. Mokaddem Morshed has shown extraordinary skill in the script, planning, and direction of the play. The dialogues were poetic, emotional, and deeply meaningful. The work of Adnan Sami in lighting design, Moin Uddin Kohel in music and atmosphere, Prama Avanti in choreography, and Amit Chakraborty in costume design made the play more alive. Especially the storm scenes, the sound of river waves, the songs of fishermen, and the swaying of boats\u2014all together, the audience felt as if they had reached the middle of real river life. Sucharit Tinku, Shaheen Chowdhury, Mousumi Chakraborty Mau, Shreyasi Srotswini and other artists have performed exceptionally. Their dialogues, eye language, body language and emotions have deeply touched the audience. \u201cIshwar Gange Bhase\u201d is not just a play, it is a living epic of the life pain of the people of riverine Bengal. Love has crossed religion here, people have broken the walls of identity here and reached out to humanity. And in the end, the river itself has declared that the greatest identity of a person is not his religion, but his humanity. Everyone who has acted on the stage of \u201cIshwar Gange Bhase\u201d seemed to have lit the light of the soul within their characters. It was not just acting, it was a deep artistic endeavor to bring life to the stage. Their dialogues, eye language, body language, silence, tears, love and response<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12280 aligncenter td-animation-stack-type0-2\" src=\"https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-300x109.jpeg\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" srcset=\"https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-300x109.jpeg 300w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-1024x370.jpeg 1024w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-768x278.jpeg 768w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-1536x556.jpeg 1536w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-1161x420.jpeg 1161w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-150x54.jpeg 150w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-696x252.jpeg 696w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1-1068x386.jpeg 1068w, https:\/\/chattalchitra.com\/wp-content\/uploads\/2026\/05\/WhatsApp-Image-2026-05-13-at-5.38.17-PM-1.jpeg 1620w\" alt=\"\" width=\"518\" height=\"188\" \/><\/p>\n<p><span dir=\"auto\">D\u2014All in all, the entire play became a living autobiography of the people of riverine Bengal. The audience only watched the play\u00a0\u00a0<\/span><span dir=\"auto\">Noni, they felt the waves of the river, the fear of the storm, the warmth of love and the crisis of human existence through the performances of the artists. Sucharit Tinku, in his performance, highlighted the pain, love, loneliness and human suffering within the character to such a depth that it resonated in the hearts of the audience for a long time. His dialogue delivery was sometimes as gentle as the calm waves of the river, and sometimes as intense as the turbulent current of a stormy night. Shaheen Chowdhury&#8217;s performance had the aroma of firmness, confidence and real life. His every appearance brought the stage to life and portrayed the inner struggle of the character very fluently. Moushumi Chakraborty Mou touched the hearts of the audience with her emotional expression and compassionate presentation. The language of her eyes was waiting, love and the fear of losing. Shreyosi Srotaswini became a symbol of a soft yet deep emotion like the water of the river on stage. Her performance had the silent tears of a woman&#8217;s heart and the pure beauty of love. Partha Pratim Mahajan has skillfully brought the reality of the character to life on stage. His dialogue delivery had the impression of confidence and experience. ATM Saifur Rahman has made the scenes of the play more powerful through his acting firmness and restrained expression. Ashraf Masud&#8217;s acting was a clear reflection of the harsh reality of life. His dialogue has been able to reach the depths of the audience&#8217;s thoughts. Salma has brought the emotions of the character to life through her very sincere acting. Her acting had the simple beauty of rural life. Saidur Rahman Chowdhury has created a special atmosphere on stage with his restrained yet profound acting. Monirul Mannan (Mamun) has presented the character with his innate acting skills in such a way that it seems as if he is not acting, but has come out of real life. Noor Swapna has skillfully expressed the pain and emotions inside the character in her acting. Arpita Chowdhury&#8217;s acting as Rupa had a magical appeal, which held the attention of the audience throughout. Jasmine Jui has breathed a different life into the drama with her lively acting and dialogue delivery. <\/span>Adam Shafiullah Mizvi has presented a wonderful blend of strength, emotion and sensitivity in his acting. Rafia Newaz has brought the character to life with her natural acting and fluent presentation. Moushuma Syeda has left a mark on the hearts of the audience by expressing her emotions spontaneously in her drawn acting. Veena Das Gupta has enriched the atmosphere of the play with her modest yet profound acting. Awal Khan Shaheen has introduced a special Munsiana with her strong stage presence and dialogue delivery. Diganta Deb Roy&#8217;s acting had a deep understanding and sincerity of the character. Avanti Biswas Dighi has created a unique tenderness and emotional appeal in her acting. Partha Sarkar&#8217;s acting was mature, natural and realistic. Ahadullah Rabbi has presented the feelings of the character very sincerely in front of the audience. Shivesh has played an important role in maintaining the pace and atmosphere of the play through his dialogues, expressions and stage presence. Ayan Das has captured the attention of the audience with his youthful enthusiasm, passion and lively acting. Shanta Das has presented the emotions, pain and human feelings of the character in a very aesthetic way in his acting. All in all, each artist in the play \u201cIshwar Gange Bhase\u201d has become a river person. They have not only acted, but have made the tears of life, love, pain, religious differences and the eternal truth of humanity felt with their hearts. Their combined acting has taken the play from an ordinary stage play to a unique height of art. Therefore, the audience did not just applaud at the end of the play, they also felt a new light of humanity within themselves.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2013 Md. Kamal Uddin: A unique stage poem by Pratibhas Natyadal on the love of river-dwelling people, religious differences, the cries of life in prison and the eternal truth of humanity. On the stage of Chittagong District Shilpakala Academy on Tuesday evening, May 12, 2026, Pratibhas Natyadal&#8217;s seventeenth production &#8220;Ishwar Gange Bhase&#8221; was not just [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-16307","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bangladesh"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>God floats in the Ganges - The daily Tourist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/the-dailytourist.com\/?p=16307\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"God floats in the Ganges - The daily Tourist\" \/>\n<meta property=\"og:description\" content=\"\u2013 Md. Kamal Uddin: A unique stage poem by Pratibhas Natyadal on the love of river-dwelling people, religious differences, the cries of life in prison and the eternal truth of humanity. 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Kamal Uddin: A unique stage poem by Pratibhas Natyadal on the love of river-dwelling people, religious differences, the cries of life in prison and the eternal truth of humanity. 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